Casa Fisher

Side view of the house


CASA FISHER
Louis Kahn
Hatboro.Pensilvania.Estados Unidos.1967
The house is situated on a hillside which slopes gently down from a street bean principal.La house is the simplest expression of the idea of ​​two cubes,one for the living room and one for the bedroom,these cubes are played as random angle, how to join table data taken on,connecting diagonal stays. A Louis Kahn wanted each space or room had its own form, did not like the buildings in which a unified way inside divides to create usable spaces.
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Museo Rufino Tamayo

Space Access main museum facilities
RUFINO TAMAYO MUSEUM
Teodoro González de León y Abraham Zabludowsky
Bosque de Chapultepec. Mexico D.F:, Mexico. 1981
Zabludowsky González de León and two Mexican architects represent a position Jan monumental contemporary architecture of that country. His works attempt to establish a connection to the Hispanic cultural history through the use of space resources and highly expressive materials.
The Rufino Tamayo Museum is a building that clearly represents this way of Mexican architecture sculptural, in which the roundness of its volumes and the richness of the interior spaces hold out the superb collection of paintings by the artist, constituting a cultural and fundamental meeting for Aztec city.

Prospect Park in New York

The prospect of the great meadow in autumn park

BROOKLYN PROSPECT PARK
Frederick Law Olmsted y Calvert Vaux

Brooklyn. NY, U.S.. 1873

This park is the only large area urban forest that exists in this district of the City of New York. Built in a totally preconceived, emphatically expressed naturalistic philosophy of the authors.
The set complies with a provision into three landscape areas, central routes and services, the stream that flows into the artificial lake and the long perspective of the prairie that makes up one of the most sublime of this part of the city.

Photography: Timi Pig, Flickr

More information:

Video explaining the experience of park users

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Bank of London and South America

The main atrium roof building access. Photos: Francisco Cellini

BANK OF LONDON AND SOUTH AMERICA

Clorindo Testa

Reconquest, 101. Buenos Aires, Argentina. 1966

This administrative building in the heart of Buenos Aires is part in the mainstream Brutalist clearly that define a part of the architecture of the second half of the twentieth century.
Its originality and formal richness is founded on creating piranesianos interior spaces that provide an alternative to the narrow streets that surround. The design of floating bridges trays and serve as inspiration for other subsequent bank designs.

Building Access Floor

View of the courtyard of banking. Image extracted from blog Worlds-Trotter

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Mostyn Art Gallery

A suggestive foreshortening of space inside the gallery staircase
MOSTYN ORIEL ART GALLERY
Mark Ellis/ Dominic Willians. Ellis Williams Architects
Llandudno, North Wales. Britain. 2011

An elegant intervention after a traditional brick façade which has generated new space for an art gallery.
The quality of execution of concrete beside the attractive arrangement of shapes and spaces suggested, induces us to think that this is a brilliant architectural trabajo.

Photography: Mr sAg, Flickr

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Stockholm Public Library

View of the Main Reading Room

STOCKHOLM PUBLIC LIBRARY
Eric Gunnar Asplund
Odensgatan, 57. Stockholm. 1928

Eric Gunnar Asplund is one of the most representative architects of the twentieth century Scandinavian culture. Would be influenced by the sensitivity of Modern Classicism called Nordic, although in its last stage would some works related to Rationalist style.
This library is one of his masterpieces would conceive as a monumental temple of culture. The symmetrical design and its distinctive drum that would become one of the icons of reference of the city. The most relevant, however, is its wonderful main reading room space that concentrates on a central focal point where users are located.

Photography: Yokio Yoshimura, EGA Foundation

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Galeria Heidi Weber

Exterior view of one of the wards that make up the building

Galeria HEIDI WEBER

Le Corbusier

Hoeschgasse, 8. Zurich, Switzerland. 1965


This is one of the works of the architect mature stage in which initiate the use of metal and sheet structures warped cover. Raised initially as a space for the exhibition of art for the gallery owner Heidi Weber, currently the Le Corbusier Center is dedicated to promoting the work of architect.
In a Swiss geography and, characterized by the presence of green and greyish skies, Le Corbusier propose a building that I extend allow a visual contact with the outside and establish a strong presence through the extensive use of vivid colors in coatings.

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Museo Whitney

The famous museum window is one of its most significant hallmarks

MUSEO WHITNEY

Marcel Breuer

Madison Avenue
NY. U.S.. 1966

“It is easier to say first what should not be similar. There should be similar to a commercial building or office, or make it look like a place of light entertainment. Its form and its material should have identity and weight in the neighborhood of 50 floors of skyscrapers, the bridges of a mile long, in the middle of the forest dynamics of our colorful city. It should be an independent unit , exposed to the history, while, should transform the vitality of the street in the sincerity and depth of the art ". Marcel Breuer
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Casa La Ricarda

View from garden

HOUSE RICARDA the

Antoni Bonet i Castellana

El Prat. Barcelona. España.1963
The house "La Ricarda" is located at the sea shore next to El Prat airport(Barcelona) surrounded by dense pine forest.The housing is adapted to the demands of the landscape and sits on an artificial platform built on the dunes. The house is arranged from the aggregation of a modulo-structural and spatial- and cover under a system of vaults framed in an innovative language and preserving local traditions couple.

Photography:Twose

More information:
Architect Biography Wikipedia
Video showing the life and work of the author

Housing plant
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Montreal Biosphere

Partial view of Biosphere

BIOSPHERE MONTREAL
Richard Buckminster Fuller
Jean Drapeau Park.Montreal. Canada ,1967

In 1967 USA participated in the Universal Exposition in Montreal, where his pavilion structure consisted of a steel cylindrical cells with a total dimension of more than seventy-five feet in diameter and sixty-three high,was designed by Richard Buckminster Fuller. La Biosphere use it for recreation and public attraction, harboring a unique oasis of plants and after exposure aves.Una, the pavilion was donated to the city .

Photography: Josue Souza

More Information:
Description of the complex
Pagina de Bio Architect
Video interview with Architect

Location Google Maps

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